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Tuesday 5/13/2008 Intervals - We need to understand intervals before moving onto fomulas Solo - Solo over chords using the scales you've been introduced to ................ Blues changes - Play blues changes in any key
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| Modes
reveal many hidden secrets relating to the birth of
the scales and chords. Billions and billions of years
ago…. (well a few hundred anyway) the Greeks discovered
the theory of modes.They
were so excited about the discovery they gave each mode
it's own name. Thus came, Ionian, Dorian, Phrygian,
Lydian, Mixolydian, Aeolian and Locrian.
So what is a mode? Modes are scales based off the intervals of the major scale. That brings a question to mind. What came first, the major scale or modes?....That was supposed to be a joke:( We know the formula for the major (or Ionian) scale half steps are between 3&4 and 7&8. Where would the half steps be if we started on the 2nd interval of the scale (D) and played the same notes that are in C major scale? let's just take a look oh visual one.
Get the idea? Time to pull out your staff paper and write out all the modes. Do as the examples above for each interval of the C major scale. Title each mode with the their tonic note and name. Starting with Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian and Locrian. After
writing each mode's formula, try writting and playing
them in different keys. Write the Phrygian mode starting
on Bb for instance. That would then be a Bb Phrygian. Now lets' go ahead and build a four-note voicing (chord) for each mode. Again
we have the C major scale for our example. Here we have
stacked the 1-3-5-7 on top of each interval building
some kind of 7 chord for each mode.
The first chord of the scale would be the I chord. What type of chord is it? It's a major 7Chord. Why, because it has a major 3rd and a major 7. Remember the 5 doesn't tell us much unless it's been altered. The two and three chords are minor 7 chords. They both have a minor 3rd and minor 7th. The 4th chord is a major 7th chord like the 1 chord. The 5 chord is an interesting one. It has a major 3rd with a minor 7th. That would make it a dominant 7 chord. The 6th chord has a minor 3rd and 7th making it a minor 7th chord. The 7th chord is very different. It has a minor 3rd and 7th with a flat 5th. That would be a half-diminished chord. Back to the C major 7th chord for number 8. Modes are a lot to digest, let's review by highlighting a few pointers. (These pointers will relate to our next lesson as well. Don't worry so much about remembering the mode names)
With
that in mind, It's time to introduce you to the II-V-I progressions and Back to Theory |
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